ESPN-like Game Promo Graphic

ESPN-like Game Promo Graphic

Using GIMP to Add Falling Snow to an Image

Use GIMP to Add Realistic Falling Snow to a Photo by xmath

Stencil on Wood Background

Stencil on Wood

Quick and Easy Color Change

GIMP Color Change

Color Sensitive Text

In this GIMP tutorial you will see how to make the color of text alternate between light or dark depending on the background. I developed this procedure to meet the needs of someone who follows this blog and made a request for help. I hope others among you will find it useful, too.

Open the background image.

Duplicate the background layer, Layer- Duplicate Layer. Desaturate the background layer copy, Colors - Desaturate... by Luminosity.

Apply the threshold filter to the background layer copy, Colors - Threshold…, push the slider to the right until there's hardly any white bits in the black.

With the Brush Tool, paint out any details to match the dominant color, black or white.

With the Text Tool create your text layer in black or whatever dark color you want to use. Position it with the Move Tool. Expand the text layer to the image size, Layer - Layer to Image Size.

Make the text layer invisible by clicking the 'eye' icon in the Layers pallet.

Make the black and white layer active by clicking it in the Layers pallet. With the Select by Color Tool in Replace the current selection mode, click anywhere in the black.

Make the text layer visible and active. With the Select by Color Tool in Intersect with the current selection mode, click anywhere in the text. You should now have the portion of text that overlays the darker buildings selected. Make the black and white layer invisible.

Create a new transparent layer, Layer - New Layer..., on top of all the others and name it Light Text. Now, fill the selection on the Light Text layer with white or whatever light color you choose, Edit - Fill with BG Color. Deselect, Select - None.

Stick a Label on It

In this GIMP tutorial you will create an effect that appears similar to a strip of embossed tape as produced by some label makers.

 

 

Some of the things used in this project:

• Layer Effects-Drop Shadow
• Layer Effects-Bevel and Emboss
• Path Tool
• Merging layers
• Selection by color
• Text Tool

 

Note: To complete this tutorial, you will need to have the Script-Fu Layer Effects plugin installed. Get it here if you don't have it yet.

Create a new image 800 pixels wide by 250 pixels, File - New... . Set the foreground color to a medium gray (8b8b8b), then fill the image, Edit - Fill with FG Color.

With the Rectangle Select Tool, make a selection about 500 pixels by 100 pixels.

 

Make a new transparent layer, Layer - New Layer..., named Strip. Reset the color swatches to the default colors. Fill the selection on the Strip layer with the foreground color (black).

The next step is to add a white drop shadow to the strip. Script Fu - Layer Effects... - Drop Shadow... . Set the Color to white and the Size and Offset Distance each to 2.0.

 

Deselect, Select - None. Make the Strip layer active and merge it with the Script-dropshadow layer, Layer - Merge Down.

 

 

Click the Text Tool in the Toolbox. In the Tool Options, I used Monospace, 64, white. Click in the black strip and type a line of text.  With the Move Tool, position the text in the center of the black strip.

 

Use the Select by Color Tool and click anywhere in the text to select the white text. Apply the embossing effect, Script-Fu - Layer Effects - Bevel and Emboss… with the settings shown below.

 

 

 

Deselect. In the Layers pallet, select the upper of the two new layers created in the emboss process and merge it down to the lower layer. To the resulting layer, apply a slight blur, Filters - Blur - Blur.

 

 

Get an even more authentic effect by 'folding down' a corner. 

 

Make the Strip-dropshadow layer active. With the Paths Tool (in Design mode), draw a triangle in the upper left corner of the black strip. In the Tool Options dialog, click the Selection from Path button. Delete the selected area, Edit - Clear.

 

 

Deselect everything. From the Paths pallet, delete the path you drew.

Make a new transparent layer, Fold over. Use the Paths Tool again to draw a triangle to represent the folded corner. Convert it to a selection.

 

 

Fill the triangle with white, Edit - Fill with BG Color. Deselect, and delete the path.

 

 

Note: The Bevel and Emboss settings were determined after a lot of experimentation. You might improve the effect by further refining these settings.

Happy Holidays!!! A Text Project

In this GIMP project, you will use layers, strokes, and several other techniques to create a festive holiday text effect.

 

 

Resources you can download:

Background texture | Text fill texture | Bow

 

Open the background texture image as the Background layer.

 

 

Select the Text Tool and create a Text layer using a big, bold font. I used Futura Ultra-Bold Condensed, 196 point. Set the size of the Text layer to the size of the image, Layer > Layer to Image Size.

 

 

With the Rectangle Select Tool, make a selection on a vertical section of a letter.

 

 

Create a new layer, Ribbon. Select the Blend Tool and fill the rectangular selection with the preset Golden gradient.

 

 

Create another new layer, Ribbon edge. Apply a 1 pixel stroke to this selection, Edit > Stroke Selection…, Stroke line, Solid color. Deselect, Select > None. 

 

 

Select the upper of the two ribbon layers and merge them together, Layer > Merge Down.

 

Make the Text layer active and select the text by clicking anywhere on the black text with the Select by Color Tool. Invert the selection, Select > Invert. Now, with the Ribbon layer active, clear the part of the ribbon that lies outside the text, Edit > Clear.

 

 

You can now hide the Text layer by clicking the 'eye' icon in the Layers pallet.

Open the red damask image as a new layer, File > Open as Layers..., name it Damask. In the Layers pallet, drag the Damask layer between the Text and Ribbon layers. Add transparency to the Damask layer, Layer > Transparency > Add Alpha Channel. Clear the selection to remove the part of the Damask layer outside the text.

 

 

Invert the selection again so that you can paint a thin border around the text. Create a new layer, Text edge. Use the Color Picker Tool to choose a color from the middle of the gold ribbon (the Ribbon layer must be active). Select the Text edge layer, and from the Edit menu, choose Stroke Selection…, Stroke line, Solid color.  The width should be about 3 pixels. Deselect.

 

 

Open the gold bow image as a new layer and place it on top of all the others. Name it Bow.

 

 

You now need to shrink the bow down a lot. Choose the Scale Tool, grab a corner handle of the bounding box, and appropriately size the bow. Expand the Bow layer to the image size, Layer > Layer to Image Size. 

 

Make a selection from the Bow layer. With the Fuzzy Select Tool, click outside the bow, then invert the selection. You might want to zoom in to do this more easily.

 

Create a new layer, Bow shadow. Set the color swatches back to default colors and fill the selection on the Bow shadow layer with default black. Deselect. Apply a Gaussian blur with a radius of 2 pixels, Filters > Blur > Gaussian Blur… .

 

 

With the Move Tool, slide the Bow shadow layer a bit down and right. Drag the Bow shadow layer under the Bow layer. Merge the Bow layer down onto the Bow shadow layer.

 

 

Duplicate the Bow shadow layer, Layer > Duplicate Layer, and position the bows where you like.

 

 

You might want to add a horizontal ribbon, use bows of various colors, or different textures. Happy holidays!

A Framed Painting

A Framed Painting

In this GIMP project, you will learn how to frame a portion of an image and apply a nice painted effect to that portion while turning the remaining part of the image to black-and-white.

Start by opening an image of a picture frame. I used this one by Billy Alexander, from Stock.xchng.

I began by adding an alpha channel to the image so there would be transparency, Layer > Transparency >Add Alpha Channel. Use the Crop Tool to trim away the white area outside the frame. Select the white area inside the frame with the Rectangle Select Tool. Clear the selected area, Edit > Clear. Deselect, Select > None. I scaled the picture frame image to 85% of the base image, Image > Scale Image... . Save the image as Frame.xcf and close the image.

Now open the image that will serve as the base for the project. If you would like to use the same image (by Christa Richert) that I’ll be working with, you can download it free from Stock.xchng.

With the base image active, click Open as Layers... from the File menu, and  open Frame.xcf as a new layer.

The next step is to rotate the Frame.xcf layer a bit. From the Layer menu choose Transform > Arbitrary Rotation..., or choose the Rotate Tool from the Toolbox . Either drag the frame counter-clockwise a bit or enter -10 degrees in the Rotate dialog.

With the Free Select Tool select a rectangle corresponding to the frame smaller than the outside of the frame, but bigger than the inside of it. Make the background layer active.

At this point, apply an oil painting effect to the part of the image inside the frame, Filters > Artistic > Oilify... and set the Mask size to 10. Soften the image just a bit by applying a little blur, Filters > Blur > Blur.

Now, to desaturate the outer part of the image. Invert the selection, Select > Invert. From the Colorsmenu click Desaturate, choose Shade of gray based on Average in the dialog. Deselect.

To finish, we’ll give the frame a shadow. Make Frame.xcf the active layer. From the Filters menu choose Light and Shadows > Drop Shadow... with the default settings.

Most of the settings I used in this example are just suggestions, not hard and fast choices. Adjust the settings that you use to reflect your own tastes and objectives.

Through a Keyhole

 

In this GIMP project, you will learn how to use layers, selection tools, the stroke dialog, and filters in creating the effect of looking through a keyhole.

Start by creating a new image 600 pixels wide by 800 pixels high. Open the image that you want to appear through the keyhole as a new layer, File > Open as Layers… . Note: It may be necessary to scale and/or reposition this image to get the best effect.

• Making the keyhole.

Create a new layer, brass, on top. With the Bucket Fill Tool, fill it with a brass-like color. I used #8a4500.

Set gridlines every 25 px in the Preferences panel, Edit > Preferences. In the View menu, turn on Show Grid (the box is checked).

Using the Paths Tool, draw a tall, narrow trapezoid, as shown below, to be the lower part of the keyhole. Suggestion: Dragging out guides can make the selections easier.

Now, in the Tool Options click the Selection from Path button to turn the path into a "marching ants" selection.

With the Ellipse Select Tool (in Add to the current selection mode) draw a circle to be the top portion of the keyhole as shown below.

Be sure brass is the active layer. Clear the contents of the keyhole-shaped selection, Edit > Clear. In the View menu, turn of the grid and guides.

• Putting a slight edge around the keyhole.

Create a new layer named edge on top. Make sure edge is the active layer and stroke the selection, Edit > Stroke Selection…, click the radio button for Stroke with a paint tool, and choose Paintbrush from the drop-down menu. In the Tools pallet, select a paintbrush of about 3 pixels. Set the color to a very dark brown (#532a00). Finally, in the Stroke Selection dialog, click Stroke.

• Put a little bit of shadow inside the edges of the keyhole.

Make a new layer on top, inside shadow. Using Stroke Selection again, chose the Stroke line style, a width of about 15 px, and solid default black, click Stroke. Then, remove the selection, Select > None.

Apply a Gaussian blur with a radius of about 35, Filters > Blur > Gaussian blur… . Drag the inside shadow layer immediately under the brass layer. Decrease the opacity to about 75-80%.

• Add some shadow through the keyhole.

Create a new layer above the inside layer, name it gradient, and fill it with black using the Bucket Fill Tool. Add a layer mask to the gradient layer, right-click the layer in the Layers pallet and select Add Layer Mask… .

Select the Blend Tool and choose a black-to-white radial gradient. Drag the Blend Tool vertically downwards in the lower portion of the keyhole to reveal the inside layer. You may have to experiment a few times to get a good result. Decrease the opacity to about 75%.

As they say in Montreal, “Voila!” There are numerous opportunities for modifications and variations in this project, so be bold and have fun!